Thursday, 31 May 2007
I remember doing these as a very young child, using leaves and keys, any object that would block the light. It is very exciting seeing the shapes emerge and the magic that happens.
I wanted to see if I could just stretch it a little further than placing objects, or using it to develop negatives.
In this peice I have used a drawing of a crow flying, and a photcopy onto acetate of a fabric pattern, then I put real foliage over it all.....fascinating.
Now I have got to find more ways to use the paper, I do enjoy experimenting.
Thursday, 17 May 2007
"What a piece of work is man! How noble in reason! how infinite in faculties! in form and moving, how express and admirable! in action how like an angel! in apprehension, how like a god! the beauty of the world! the paragon of animals!
--From Hamlet (II, ii, 115-117)
Tuesday, 15 May 2007
This piece was from a body of work dealing with ideas of my own futility in the art world.
I was late going to university and had never been taken seriously until I went there, my work was always something that my family treated as my 'hobby'.......
this piece was so long and tedious in the making and yet looks so simple. I am not particularly pleased with it, but I keep it by me to remind me of a time when people took me seriously for the first time.
process ( as I remember it...)
first find a piece of embroidered fabric...in this case a tablecloth embroidered as a child ( we used to do that sort of thing :-) )
next scan it on the computer.
print out a copy of scan, and then blow it up on the photocopier until you get rich contrast of the stitching in black and white
next ( and this is where memory gets fuzzy ) make a photo negative etching...
put through etching press
dry, snip and stitch..
this doesnt sound very much, but it took for ever
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